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brenna horrocks

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publication: southampton review

Semi-Finalist, Frank McCourt Memoir Prize

I sat underneath a dying tree alongside the ambitious lane leading to what was once my childhood home.

A rainbow donut in hand. Not a chic donut. A regular glazed donut from a poorly lit grocery store topped with tasteless rainbow frosting. My birthday breakfast every year growing up in this town. Despite the gourmet donut trend, this is the only kind of donut I've ever liked. And as I'm sitting here now, I'm certain I never liked it at all. I was simply fascinated by the blended colors, the flaky dough, the creamy frosting…every aspect of it made me feel rich, Rich, on my birthday.

A fucking 35-cent donut made me feel rich on my birthday.

And now here I was, forcing myself to eat the cheap delicacy while surrounded by rotting crab apples. Savoring the last few pages of Patti Smith's “Woolgathering” the same way I once savored the last few crumbs of a shitty birthday donut.

Even after twenty years, the road leading to this house is still gravel. The alfalfa field, still alfalfa. But the structure itself is no longer deteriorating. Instead, a real bell of the ball country home mansion stands in its place and a tennis court sits where the barn with the caving roof once weighed heavy. Many times I thought about that roof completely crashing down. Romanticized about rescuing my dolls, most of them already headless or missing a leg or an arm. I'd dream about being the hero, carrying them out one by one. Giving CPR to Gina Honeybottom. Telling the family of Headless Helen, "There was nothing I could do."

The crunch beneath my feet comes to a startling stop as I reach the end of the alfalfa field. A wave of silence I’m not yet prepared for. I trace my fingers along the barbed wire that punished my thighs over and over, then gaze ahead as I straddle the bouncing metal one last time.

The playhouse at the end of the apple orchard feels unrecognizable. I worked so hard to make that old spider-infested playhouse look like one of those fancy fuckers behind Home Depot, now here it was flaunting Mediterranean blue shutters. As if a playhouse has any business sporting shutters.

The basketball hoop where KC explained sex during an unfinished game of H-O-R-S-E has disappeared underneath jet-black asphalt, making the driveway look like a Kmart parking lot. I suppose if this were my driveway I would fancy myself to a lot of driving. Or maybe I'd just start parking my car in the sea of darkness, simply because I could.

Is there a chance the demolition of the basketball hoop happened simultaneously with the demolition of my very own virginity? I can see it clearly, the removal of the long, slender, phallic looking pole with the cylindrical net attached. If detached, the pole could slide right inside its open counterpart. I assume a pair of construction workers dug the pole out of the cement the very moment Tedd Peppers spit a disgusting mix of chewing tobacco and saliva onto his fingers and slathered it all over a borrowed condom. Could it be true they tossed the pole into an empty truck bed just as Peppers proceeded to shove the foul-smelling blend inside me, causing me to bleed all over my father's very bland, very beige couch? And were they already pouring the asphalt by the time he slid off the bloody latex and plucked it inside a sweaty Piña Colada Fuze bottle and left it sitting there for me to contemplate while he went down to smoke until red taillights illuminated the dusty road?

What happened to this home?

I expected to see my purple banana seat bike lying perfectly balanced on one pedal near the Bleeding Hearts. But neither it nor the Bleeding Hearts were there. I can remember dragging my ankles until they bled while coasting on that bike. Reopening the scabs over and over — scars to remind me. Something about the pain. I liked watching the blood trickle down into individual streams between my toes. Even with socks. Come to think of it, I may have enjoyed that more. Especially with my fancy Sunday socks. I’d sit by the garden and eat fresh peas while I carefully slipped off my jelly shoes and examined the blood soaked ruffles.

I make my way to the canal where my mother paid us 10-cents a pop for each tooth we pulled out of a rotting coyote. But something keeps me from staying in this moment for long. I head to the sunflower fields. As I climb the mountain I picture my home as it was, and shudder. I still have nightmares of this place and all that it was and wasn't. But visually, it's breathtaking. I picture all the flowers. The garden. The large porch. The doorstep.

"The doorstep," I murmur — as vivid memories race.

The doorstep, where groceries were left anonymously.

The doorstep, where angry coke dealers came knocking.

The doorstep, where my father came and went and never came again.

The doorstep, where Bleeding Hearts bloomed and bloody hearts bled.

The doorstep. The wishing well. The undertale of tall pines and rising mountains.

Racing wildfires and souls unwinding.

Misconception and swollen nights.

An otter creek tire swing made for two.

A mother who will never swing.

A child who will always watch her.

Eyes always watching.

Monday 11.03.25
Posted by brenna horrocks
 

publication: mesmer issue 1

Monday 11.03.25
Posted by brenna horrocks
 

publication: rappahannock review

‘invalids. girlfriends. beer.’ was the first nonfiction piece of mine to get published and while i cringe at the baby writer trying so hard here, it was a pivotal moment in establishing my voice as a storyteller and filmmaker

thank you rappahannock review

Monday 11.03.25
Posted by brenna horrocks
 

maubilans art show: scars exhibit collab

water bottle turtle feet

self-sufficient gutter mouths

stop listening to imaginary masters

she’s swaying her hips

feelin’ mighty proud

licking her guts poison nurture

they’re talking instagram filters

all familiar

water sit rest

reassurance

she asks to take the bra off

she tickles her words something unnatural

this first place pleasure box

eyes wide

nothing but fear for you

pulverize the window

eat the simple fetus

kiss the edgy tortoise and come

i’m giving her a sweet smile for a slight second

lumber bash

twisted keynotes home before ten

pine nuts

she’s looking some kind of summertime pretty

and she some kind of knows it

and feels it

through kiwi pant legs and tender gourds

stop listening to imaginary masters

stop sticking the clippers in his holes

licking his chest

biting his bookshelf

she keeps cutting papers

she’ll just be a second

she second guesses a second

water

chapstick

she’s missing things

we’re missing her

smack

swallow

she can’t see her scars

everyone is backwalled defensive

the boss of my pillows is watching me masturbate

ageless woodstones

i’m rotting in a fucking flower

she wrote

i’m thinking about if i have a southern accent

if i care

half my body in this

cold tits

sliced lunchmeat

the chunky remains of a hologram hand job

Monday 11.03.25
Posted by brenna horrocks
 

overthinking keratin

posture-ize your cramp stretches

show a little belly boots

rip your fingernails out and feed them to the fish

let the fish suck your raw fingernails parched

can those fingernails

sprinkle those fingernails onto the peaches

and buy a new pen

is writing about you thinking about you

is thinking about you wasting time

stranger says he hates index fingers

i don’t blame him

so here we are full circle

walking until soles r bloody

until soul and fan lick fingernails bloody bloody

Monday 11.03.25
Posted by brenna horrocks
 

unisex bathroom time machine

my fingernails keep falling out

always in public

mid conversation

hitting eyebrows and falling in glasses

all kinds of porridge

graduated tender

city streets

twinkle toes on knotty pine

munchin’ on horse piss

pony boys

dancing on our heads

ding dong

can i put your things in a bag

can i start over new with you

romance in a mason jar

loose ends tied by happyfeet and regret

a magnet tickling my soul

nostalgic smells

pinhole sized fuck ups

thinking about tomato soup and puking

fridge full of cactus cooler

hung like 67 horses in the meat packing district

Monday 11.03.25
Posted by brenna horrocks
 

the poisonous trees are haunting my dreams

and teasing my bones

and licking my guts

and carrying boxes with tongues

and treaties

and writers

and i’m not one of them

so i use their toothpaste

and color in their lines

and reek of their habits

until i’m drowning

and slicing confidence

until it’s my own

until we’re clipping the wasted metals

toasting the broken boats

you see men carrying boxes

and you wish you were one of them

so 10,000 soldiers tape your insides

and pin your faults on the paper donkey

and sit on dirty cement with failure

and you wish you could eat it

and understand it

but instead you suffocate it

and fit it in your box

where the decibels are tugging

and you’re walking back inside your mother

because no one is looking

so you laugh with uncertainties

and trudge oblivious

because sidewalk waiting and horse nose training

and the one who always gets away with it

does

and then you’re worth pig hearts

and duck toes

and panda thighs

so you scribble on elbows

singing lullabies to triangle beads

until curls become strollers

strollers that carry shoelaces

that carry stolen orgasms

and broken heels

like tomboys and toasters

like dressers and cufflinks

because everything they do goes unnoticed

elegantly

Monday 11.03.25
Posted by brenna horrocks
 

the clouds are fake

really debating these tired eyes here

wondering about the foliage

the sick and twisted foliage

the distinct umbrella power

energy burst with posture

with warmer toes

with thoughts of the weekend

salt and vinegar your socks off

teeth feeling a little too used

polka dots and stripes

a picture made to remember

entertain yourself

work relate yourself

a face that soft

that masculine

you come to us

when do we come to you

Monday 11.03.25
Posted by brenna horrocks